Tarsem Singh, who directed the eye-catching The Fall and Immortals, brings a comparable level of visual invention to this tale, though as usual his engagement with the material doesn't go very deep.. Self/less begins with a promising (albeit well-worn) science fiction premise, degrades it by turning it into a generic thriller, and finishes it off with a rushed, disjointed ending.. Self/Less should be called Class/Less, and its tagline should read: "The rich white guy is everyman.". What starts o...
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